ABOUT
THE EXHIBITION
The
Big Hope Show opens on the eve of the American Visionary Art Museum's
20th anniversary celebration and is an original and unabashedly
idealistic, art exhibition that champions the radiant and
transformative power of hope. Over twenty-five visionary artists,
among them many "super survivors" of enormous personal
traumas, exhibit soulful creations reflecting their personal
transcendence, and, often, a heightened or newfound creativity and
sense of humor.
In
playful tribute to this national museum's much-in-need-of-hope,
beloved hometown of Baltimore City, Maryland, Bobby Adams will
share never-before-seen photos, scrapbooks and assemblages as he
documented his mid-century Baltimore upbringing and multi-decade
immersion in filmmaker John Waters' band of inclusive renegades, the
"Dreamlanders."
A
hopeful look as to what constitutes community policing at its best is
spotlighted in a video tribute to Kevin Briggs, the California
trooper who so caringly connected with would-be suicide jumpers on
the Golden Gate Bridge, and successfully helped save upwards of 200
lives. The Big Hope Show also addresses justice at its worse, with a
visceral depiction of the life and artistry of the late Herman
Wallace, an innocent Louisiana man who spent more than four decades
in a solitary confinement cell measuring just 6' x 9'. Jackie Sumell
powerfully conveys Wallace's experience with the remarkably humane
and hopeful installation of Herman's House.
In
another public first, The Big Hope Show unveils the fiercely blissful
art of psychedelic rock pioneer and Flaming Lips frontman Wayne
Coyne, who survived a harrowing robbery attempt while working as a
fry cook at a Long John Silvers restaurant. Coyne's near-death trauma
somehow catapulted him to explode with new talents and wildly
unbridled creative endeavors. At AVAM, Coyne will provide visitors a
peek into what really fuels his hope and happiness with a feel-good,
visitor immersive, art installation titled, King's Mouth, and more.
Also
in this exhibition: colored pencil master, Margaret Munz-Losch
displays her life-sized, mind-boggling, intricate work Early Bird,
cancer survivor, artist and performer Chris Roberts-Antieau shares
her most elaborately embroidered fabric story pieces to date, and
Nancy Josephson takes center stage with her 10-ft tall, beaded Bird
Goddess sculpture. Film-documentarian Lisa Revson artfully observes
the "why" behind a strangely hopeful societal phenomena in
her installation, The Lost Earring Project: A Ritual of Hope, that
asks: "why do so many of us keep holding onto the single mates
to long lost earrings?"
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